Seabear Eating a Killerwhale (1978) - Framed Limited Edition Print

$600.00 Sale Save
Seabear Eating a Killerwhale (1978) - Framed Limited Edition Print

Seabear Eating a Killerwhale (1978) - Framed Limited Edition Print

$600.00 Sale Save

22" x 20" Framed Dimensions.

1978

Edition 50/199

Original frame. Condition as is. Price reflects only the art.

Disclaimer: while we take the utmost care with packaging and shipping, we do not insure products containing, or made of glass.

This piece requires special handling, and will likely incur additional costs. We will build a custom box or crate and arrange delivery with a trusted carrier experienced in transporting fine artwork. After purchase, we’ll contact you directly to coordinate shipping and provide all necessary details.

Sea Bear, like Wasgo and Thunderbird, is a supernatural figure associated with hunting and fishing. The presence of and legends surrounding Sea Bear are often told to emphasize the daunting nature of the open sea. Sea Bear crests and depictions on personal objects may indicate hunting prowess and/or a willingness to accept responsibility. Sea Bear is often depicted with the head of a bear with a body displaying marine features, such as fins and tail flukes.

This print is part of Lattimer Gallery's Through the Decades: Late 20th Century Haida Printmaking show, taking place online from March 15th-29th, 2025.

Don Yeomans

CULTURAL GROUP:
Haida

BORN:
1958

BIRTHPLACE:
Prince Rupert, BC

Don Yeomans carves jewellery in gold and silver, and he also produces limited edition prints, poles, and sculptures in wood and glass. He was introduced to Northwest Coast art by late Haida artist Freda Diesing. In 1976, he studied at Langara College in the Fine Arts program. Don then apprenticed under accomplished Haida artist Robert Davidson. His design The Frog People Fleeing from the Black Bear was chosen to be included in the Northwest Coast Indian Artists’ Guild graphic collection. In 1978, he helped Robert Davidson produce four totem poles for the Charles Edenshaw Memorial Longhouse in Masset, BC. In the 1980s, Don completed a two-year apprenticeship with celebrated Gitksan artist Phil Janzé. He learned engraving, chasing, casting, and repoussé techniques during this time. In 2007, Don received a commission to create a 40-foot totem pole at the Vancouver International Airport. In 2008, he carved a 20-foot totem for the McMichael Gallery's permanent collection, which interwove traditional iconography and totemic animals with different modern modes of communication, including a cell phone, laptop, and an MP3 player. Don has become one of the most accomplished Haida artists working today.

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