Beginning Dorsal Fin - Original Painting on Canvas

$2,800.00 Sale Save
Beginning Dorsal Fin - Original Painting on Canvas
Beginning Dorsal Fin - Original Painting on Canvas
Beginning Dorsal Fin - Original Painting on Canvas
Beginning Dorsal Fin - Original Painting on Canvas
Beginning Dorsal Fin - Original Painting on Canvas
Beginning Dorsal Fin - Original Painting on Canvas
Beginning Dorsal Fin - Original Painting on Canvas
Beginning Dorsal Fin - Original Painting on Canvas
Beginning Dorsal Fin - Original Painting on Canvas
Beginning Dorsal Fin - Original Painting on Canvas

Beginning Dorsal Fin - Original Painting on Canvas

$2,800.00 Sale Save

36" x 12" x 1 1/2"

Acrylic on canvas.

This piece is part of Steve Smith's solo exhibition, Harmony: Creatures of the Northwest Coast, taking place July 19th to August 2nd 2025 at Lattimer Gallery.

This piece will be wrapped in multiple layers of protective materials and placed in a reinforced box designed for fragile items. It will be shipped with tracking, insurance, and extra care to ensure it arrives in perfect condition.

“Emerging from the dorsal fin of the killer whale, the frog appears—a symbol of new beginnings, transformation, and the arrival of spring. In many Northwest Coast traditions, the frog is a messenger between worlds, its voice awakening the land from slumber. This piece honours the quiet power of renewal, where the ocean’s strength meets the soft call of change, and the beginning of something new takes shape.”

-Steve Smith

Harmony: Creatures of the Northwest Coast
Exhibition Statement

“My journey as an artist began in 1988, when I started apprenticing with my father, Harris Smith – Lalkawilas. For about seven years, I worked closely under his guidance, absorbing the traditional forms and techniques he had mastered. When I eventually set out on my own, I was determined to take what I had learned and shape it into a style that was uniquely mine.

At first, I found myself creating pieces that closely mirrored my father's work. I soon realized that forging a distinct path wouldn’t be easy. Over time, I kept pushing myself to innovate—to evolve—and the process was slow and sometimes frustrating. Then, in 2013, everything changed.

That year, I underwent a life-altering surgery that shifted not only my personal life but also my relationship with art. It opened a new door—one filled with colour. Up until that point, I had worked mostly with red, black, and green. Suddenly, colour—vibrant, limitless colour—came into my life. At first, I didn’t know how to use it. But over time, it became an essential part of my work. I now use so many colours that I’ve lost count.

That change felt like a gift—something sacred—and I’ve been grateful ever since. Around that same time, I began incorporating coloured circles into almost all my paintings. These circles represent angels or light beings. Adding them became my way of honouring the light within all beings. It’s a reminder of the unseen connections that bind us.

Before humans arrived on the Pacific Northwest Coast, there was a natural order to life. The land, the sea, the sky—all lived in harmony. Every creature had a role, and when that balance tipped, nature always found a way to restore it.

In this exhibition, you’ll encounter animals from sea, land, and sky—each one painted in a bold, colourful, and contemporary style. Many of my pieces carry titles such Peace, Friendship, Harmony, Love, Oneness, and Happiness. I often reuse these titles—not out of repetition, but as an intentional reminder of what we’re all striving for. These are words of possibility, of hope, and of connection.

As human beings, I believe we all long for connection—to each other, to nature, and to something greater than ourselves. We need love, we need peace, and we seek happiness. My desire is to create artwork that speaks to these truths—work that is heartfelt, vibrant, and meaningful.

To me, each painting is a gift that moves through my hands for a short while, and then passes on to others. My hope is that my art brings a smile, lifts the spirit, and helps you remember—even for a moment—that we are all connected.”

-Steve Smith Dla'kwagila

Steve Smith

CULTURAL GROUP:
Wuikinuxv/Kwakwaka'wakw

BORN:
May 12, 1968

BIRTHPLACE:
Vancouver, BC

Steve Smith (Dla'kwagila) has been carving and painting since 1987. He was taught by his father, late Kwakwaka'wakw artist Harris Smith (Lalkawilas). Steve has also worked with his brother, established Kwakwaka'wakw artist Rod Smith. His pieces include original paintings, sculptures, masks, limited edition prints, etched glass, totem poles, and drums. In 2002, Steve completed an 8-foot pole in collaboration with his father and brother, and they finished the pole here at Lattimer Gallery. Steve's distinctive work has been featured in several major exhibitions throughout North America, and his work has been purchased by collectors around the world. In 2005, Steve was featured in the Changing Hands: Art Without Reservation 2 exhibition that opened at the Museum of Arts and Design in New York, NY. In 2006, Steve created two public works for the City of Vancouver's Spirit Bears in the City project. In 2007, his work was included in the Burke Museum's In the Spirit of Our Ancestors exhibition in Seattle, WA. In 2008, Steve received two major commissions for works to be placed in the Vancouver International Airport. These monumental installations were completed in early 2010. In 2009, Steve was included in the Challenging Traditions exhibition at Ontario's McMichael Gallery, a show that was dedicated to exploring innovative and experimental works from the Northwest Coast. In 2013, Steve and his brother were featured in an exhibition titled Collaboration & Contrast at Lattimer Gallery. Steve's work is always evolving, and he is always experimenting with form, colour, and symbolism.

View Artist Profile

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