To Hold What is Precious - 2025 Charity Box

$700.00 Sale Save
To Hold What is Precious - 2025 Charity Box
To Hold What is Precious - 2025 Charity Box
To Hold What is Precious - 2025 Charity Box
To Hold What is Precious - 2025 Charity Box
To Hold What is Precious - 2025 Charity Box
To Hold What is Precious - 2025 Charity Box
To Hold What is Precious - 2025 Charity Box
To Hold What is Precious - 2025 Charity Box
To Hold What is Precious - 2025 Charity Box
To Hold What is Precious - 2025 Charity Box
To Hold What is Precious - 2025 Charity Box
To Hold What is Precious - 2025 Charity Box
To Hold What is Precious - 2025 Charity Box
To Hold What is Precious - 2025 Charity Box

To Hold What is Precious - 2025 Charity Box

$700.00 Sale Save

This piece is part of our 2025 Charity Bentwood Boxes auction running from November 22nd to December 6th.

Prices shown reflect the most recent bids and are updated in real time. 

To place a bid, please call us at 604-732-4556 or email info@lattimergallery.com.

Bids increase in increments of $100.00 CAD

Please note: Once the live auction begins at 5:00 PM December 6, 2025, email bids can no longer be accepted.

We’re grateful for every bid and every participant.

4" x 3 1/2" x 3 1/2"

Red cedar, yellow cedar, acrylic paint

This piece requires special handling, and will likely incur additional costs. We will build a custom box or crate and arrange delivery with a trusted carrier experienced in transporting fine artwork. After purchase, we’ll contact you directly to coordinate shipping and provide all necessary details.

"To Hold What is Precious' brings together two vessel forms from my mixed heritage: the Northwest Coast bentwood box and ancient Greek amphora pottery. Both were created and used to hold and protect what was valued. Amphorae carried liquids like wine and olive oil, dry goods such as grains, and occasionally items for ritual or commemoration. Bentwood boxes historically served many purposes—some were even used as cooking vessels. They held food, tools, personal belongings, and ceremonial objects, and many of the traditional uses for bentwood boxes continue today. They remain items of cultural significance passed down through generations.

This piece merges Northwest Coast materials and design with influences from Greek red-figure pottery and the octopus imagery of the Minoan and Mycenaean eras. Across cultures, the octopus symbolizes intelligence, adaptability, and the capacity to hold and transform.

This piece is a reflection on what it means to hold anything of value with intention. The title reflects heritage as something we hold, carry, and care for, and honours UNYA’s work supporting Indigenous youth—tending to something profoundly precious while helping young people stay connected to their gifts, cultures, and communities."

-Rachel Smith

Rachel Smith

CULTURAL GROUP:
Wuikinuxv/Kwakwaka’wakw

BORN:
May 26, 1994

BIRTHPLACE:
Nanaimo, BC

Rachel grew up watching her grandfather, father, and uncle carving and painting. Although she has been immersed in Northwest Coast art all her life, she has more recently began a formal career with her own art and imagery. She apprenticed with her father, Steve Smith, and she introduced her first pieces in 2019. Rachel has completed her Associate of Arts degree in Peace and Conflict Studies and has a Bachelor of Education Degree with an Indigenous specialization in NITEP, the Indigenous Teacher Education Program in The Faculty of Education, at the University of British Columbia. In 2022, Rachel had her first solo-exhibition at Lattimer Gallery titled Emergence. Currently, she teaches elementary school in Vancouver, BC. 

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