Hummingbird and Bear Bentwood Box - Limited Edition Print
Hummingbird and Bear Bentwood Box - Limited Edition Print
27 1/2" x 22"
Edition of 70
2017
Stonehenge 245 gm. Acid free - 100% Cotton Paper
This design depicts the legend of a hummingbird, who, while out gathering flower nectar, encountered a bear. This bear was something of a bully, and wouldn’t allow the hummingbird to get near the flowers. Hummingbird tried again and again but the bear blocked her every time. Frustrated, the hummingbird gathered some twigs and flew inside the bear’s nose and down into his stomach, where she used the twigs to start a fire and then flew back outside. With smoke wafting from his nose and mouth, the bear ran away into the forest and never bothered hummingbird again. This legend teaches us that even great obstacles can be overcome.
The design is in the shape of a cedar bentwood box, which was widely used by all the tribes on the Northwest coast. They were used as storage containers, cooking vessels and were stacked to serve as walls inside the big-house. The sides were made from a single red cedar blank that was “kerfed” so that it could be steam bent and would be water tight. The lid was often decorated with operculum shells that were inlaid in a pattern. The boxes were painted with elaborate designs that are the foundation of Northwest Coast Native “flat design.” David has studied extensively the work of the master artists who painted the early bentwood boxes, which has influenced his hand engraved jewelry, and inspired the design for this print.
David Neel
CULTURAL GROUP:
Kwakwaka'wakw
BORN:
April 7, 1960
BIRTHPLACE:
Vancouver, BC
David Neel's crests are Thunderbird and Killerwhale. He comes from a family that is rich in history and artistic skill. His father is Dave Neel Sr., his great uncle is acclaimed artist Mungo Martin, his great-great-great grandfather is Charlie James, and his grandmother is renowned artist Ellen Neel. His widely exhibited work includes jewellery, masks, drums, poles, original paintings, limited edition prints, glass etching, regalia, and photos appearing in several magazines. David's formal training in Fine Arts was at the University of Kansas and at Mount Royal College, Alberta. Following a career as a professional photographer in Texas, David returned to Canada in the early 1990s, and conceived two important projects: one documenting works and images of First Nations elders, and the other promoting the revival of the Northwest Coast great dugout canoe. David's talents are diverse, and he is dedicated to promoting and preserving his Kwakwaka'wakw heritage. In 2019, he was featured in the landmark publication Understanding Northwest Coast Indigenous Jewelry by author Alex Dawkins. In 2020, he published his own book titled The Way Home which was nominated for the Hilary Weston Writers' Trust Prize for Nonfiction.